The Madison-Felix Awards: Turning Crap Into Fabulous Prizes

      

The Madison-Felix Awards was an awards show in Buffalo New York, which ran from 1995-2005. It was put together by my friend Big Brian and I. In reality it was a parody of an awards show mixed with an open bar drinking contest. Still it was fun and irreverent and some of the best parties I've ever had. But like all good times, they eventually drifted off to the land of nostalgia. The next four blogs are dedicated to their memory.

      There comes a time in every man’s life when he looks around his hovel and thinks, “I’ve got way too much shit.” A body collects these things as he saunters through life, like ticks in the wild. Until a day of reckoning, or a day of moving, where he starts poking through the back rooms of his life and all sorts of odd bits and pieces fall out. Thimbles, wires, inkpads, left handed safety scissors, shot glasses from Pittsburgh: all safely tucked away “just in case.”

      Just in case of what? I don’t know. In case someone’s strangling me with a piece of yarn and my right arm is paralyzed. The only thing I can use to save myself with is my trusty pair of left handed safety scissors.

      The world is filled with such things. Your house is jam packed with oddities. Go through it right now. I dare you. Sweep out the back shelf of your broom cupboard and the dusty corners of your attic. See what bits and pieces you’ve stored away because “it might come in handy one day.”

A cornacopia of fabulous prizes!

     Jars of batteries, spare cables for the VCR, old demo tapes of some local band that never went anywhere (“Druken Puppet Sings”), album covers with no vinyl inside, mismatched socks, “Dukakis in 88” pins, Volume 16 of the Junior Encyclopedia for 1948, old photographs of a guy who might be a great uncle, or crappy Christmas decorations that you made in 5^th grade that your parents “just love.”

     If my words don’t ring true in your ears, then there is something the matter with you and you need to reexamine your life. Go back to Iraq Mr. Al-Queda. If this does strike a note of recognition, then let me tell you how I turned crap into fabulous prizes.

     The Madison-Felix Awards, that great tribute to cheapness, vulgar audiences, and alcoholic shenanigans, was entering the terrible twos. It’s infancy was marred by various problems that Brian and I corrected. One task was left, and I decided to fix it solo. At the end of the first year door prizes were handed out to the lucky audience, all twenty of them. This last part had been left in the clumsy hands of Ensign Raiff and Nurse Pam. While their enthusiasm certainly wasn’t lacking, their sense of humor was. They bought cute things that were supposed to be funny, but actually weren’t. People chuckled and said it was funny, but it was more out of a sense that they though it should be funny, without actually being funny.

      They gave away a lot of pink plastic jewelry, gotten from a convenient CVS, spice girl dolls, rewritable plastic pads with Urkel’s picture on the cover (though we got some use out of that), and so on.  These items just didn’t fit into the style in which we were fashioning the show. That of cheapness and with a base of crass. We were the Oscar’s evil twin, with all it’s glitz, glamour, and pomposity stripped away. So the following year I took over the door prizes, and like the Russians who built the disastrous Volga-Don Canal in 1931, I declared that there would be “not one kopeck spent.” It would all be gathered from the generous accumulation of crap which had been stuffed into the nether regions of my closet, and beyond.

      Being of a lethargic nature, I didn’t get to work straight away, but let the idea ferment in my mind for awhile. What spurred off the initial gathering was a pile of junk left at my work. I was employed at Noco Gas Station on the corner of Sweet Home and Sheridan. I worked the midnight shift, as it appealed to my nocturnal instincts and paid an additional 50 cents an hour. Not much happened usually, and I had plenty of time to read and sleep, but we were closely situated to the University of Buffalo Amherst Campus, so there were plenty of head-up-their-ass college punks around (more on this in a later post). The hippie revival movement of the early 90s was starting to catch on in the area and brought around all the usual dregs that such movements dig up. I’m sure you know what I mean: Indecent scruffy types who slouch about with their hands in their pockets, just looking at people.

Rockin!

      One evening a VW van, a vintage classic, pulled up to the store. Two tied-died “people,” stinking of petuli and BO entered and started pooling change to buy a bottle of water. A third remained at the van emptying copious amount of garbage into the trash cans. After purchasing their water and finagling two cups out of me, presumably so they wouldn’t swap their various types of hepatitis with each other, they departed. Leaving the store I found that they had filled 3 of the 4 cans and left a pile of old vinyl albums on top of one. Closer inspection showed that these were just the album covers with no sign of anything else in them. The thought then hit me. These would be great gifts to use at the Madisons. I mean who wouldn’t want the album cover of Peter, Paul and Mary’s “A Song Will Rise”, or The Romanian National All Male Chorus Sings, or Neil Hefti’s “Batman” Scores? The covers, while most people would see them as garbage, covered all three of the criteria I had for the Madison door prizes: They were cheap, they were crap, and they were funny in an odd sense. 

      I was inspired. I rushed home, grabbed a cardboard box, and started to dig, dig, dig. And the wonders I found. Our house, it seems, had become a receptacle for unwanted material from both sides of the family. Older members died and there was always something left behind when the loot was divvied up. They would turn to us and say, “Rex, you like reading and stuff, so here’s a crate of books from your Great Aunt Betty.” This was all on top of my Mother’s and my natural pack rat mentality. We find an item, file it away, thinking “Well it might come in handy,” and then promptly forget about its existence.

You had to be there.

     Handfuls upon handfuls of buttons were dumped in the box, a phone book from 1985, game tokens from a destroyed copy of The Blizzard of 77 board game, a few ratted up copies of The Watchtower, old comic books ("Green Lantern vs The Mind Melter!" A non-classic showdown), and so on.

     Then under my generous loft bed I found the grand prize. An item of singular beauty and attention. By itself it seemed useless, yet I found myself incapable of getting rid of it. No matter how many times I found myself handing it over at the Madisons, I found it back in the box at the end of the night. We had a true love/hate relationship. I didn’t want it, yet could not let the joke go.

      The item was an old scuffed up black Oxford shoe for the right foot, left over from High School. For those who attended private school (3 of the 4 major posters) you remember we were required to wear proper shoes whilst attending the institute, along with a shirt, dress pants, tie, clean shaven face, and short hair. For sneakers, along with long hair, leads to degeneracy and general lapses into moral turpitude. Though, as a side note, one of my class mates, Ralph Maggio, managed to go for 4 years never wearing a pair of shoes. He always snuck the sneakers through.

     Back on topic: Yes, a shoe. A glorious right shoe. Its partner had been torn to pieces by my dog Thor many years prior. For nine years I attempted to give it away and, without fail, it was left behind or tossed back into the box by an ungrateful winner. But each year it gathered bigger and bigger laughs; became one of our standard running jokes, from the people who remembered it from the year before.
      To make a short story even longer, I previewed my low budget door prizes at the end of the 2^nd Madison-Felix Awards and was met with uproarious laughter and applause. Filtering out the high alcoholic consumption at such events, I still feel that people appreciated the humor value of such junk over the “cute” prizes handed out the first year. The door prizes remained in this form for the remainder of its decade long run.

       Now as I sit in my apartment looking at the increasing accumulation of “stuff” during my years in the South, I feel like starting the Madison’s again, if only to clear the clutter from my closet. I’m sure my right shoe would agree.

The Madison-Felix Awards: Free Beer!

The Madison-Felix Awards was an awards show in Buffalo New York, which ran from 1995-2005. It was put together by my friend Big Brian and I. In reality it was a parody of an awards show mixed with an open bar drinking contest. Still it was fun and irreverent and some of the best parties I've ever had. But like all good times, they eventually drifted off to the land of nostalgia. The next five blogs are dedicated to their memory. 

        One of the reasons for the resounding success of each Madison-Felix awards was, apart from Brian’s rapier wit, was the presence of an open bar. Nothing brings a person around for some evil humor like a few pints of free alcohol. The mantra of the Madisons, screamed out over and over again with increasing vigor and violence as the night went on, was “Free Beer!”

            Unfortunately the phrase was not entirely accurate. We had often joked that Madison’s operated on a budget of $5, but in reality the renting of a hall, a buffet, and an open bar, didn’t come cheap. Thus each “invitation” to the Madisons cost around $20. And it was up to the individual to make sure they got their money’s worth. Most people did their damnedest.

            The selection was not a connoisseur’s dream, but a person was given a choice: Wine or beer. What kind of wine? Red, of course. Sometimes there was a blush as well. What kind of beer? The alcoholic kind. The kind you didn’t mind the taste of after the fourth glass. But then to sample a crafted beer wasn’t the point of the exercise, to be pleasantly shit-faced was.

            The essence of “Free Beer” allowed a person to wallow in the guilty pleasure of an extremely nasty film clip or laugh out loud at the nastiest joke Brain could spit out. Perhaps they would have laughed anyway, but the beer gave them the extra excuse. A reason to tell themselves or to a date who was appalled by the show (more than a few of them over the years).

            “Hey baby. I was really drunk. I didn’t really understand what was happening. I was only laughing because everyone else was. Those people have some issues.”

            It would certainly help to explain some of the uproarious cheers, applause, and laughter that some of our winners received. One that struck me was the infamous finish to the 7^th Madison-Felix awards. For “Best” Picture that year we presented a putrid gem from the depths of Tokyo called Entrails of a Virgin. I had randomly purchased a copy of the film at a convention and just looking at the cover of it (not the one pictured here) made me queasy. It was a Japanese horror porno flick with no subtitles, but you didn’t need to understand the “plot”.

            The scene we selected occurred at the end of the film and involved a woman, in a dank cement warehouse, masturbating with a severed arm. The limb then grows into a demonic-zombie creature for some reason and inserts the same arm inside of her vagina. The monster then proceeds to pull out her intestines and other sundry organs through the aperture. A horrific sight. The crowd’s reaction? Cheers, clapping, whoops of enjoyment. How much of that was the beer talking?

            Another example is a snippet we dredged up from one of the nastier crags of the internet. It wasn’t from any film or TV show, but was shot on a video camera (this was before every cell had a camera attached). I believe that it was part of some injury insurance scam which went horribly wrong. It begins with a man walking out of a store. The camera follows him down the sidewalk and he steps into the road without looking. Bam! A red Toyota smacks him so hard that he flips over backwards, his leg bent in an odd angle, and his head splatters across the asphalt. Over the audio of the street sounds some joker (not us) had placed a happy little jingle reminiscent of the munchkins from the Wizard of Oz. People’s reaction to this? Outraged mumbling? Finger wangling? A lynch mob? Of course not! There was a colossal roar of laughter when the man’s head hit the pavement. Even my mother let out a grudging bark of humor. Did alcohol have anything to do with the reaction? Naturally. There was a reason why we always kept the worst for last.

            Such as in the case of the banned cartoon Scrub Me Mama with a Boogie Beat a classic piece of early forties racism which contains every old-school stereotype of black people. The paper thin plot revolves around a fashionable young urban black lady who returns to her home of Lazytown to wake them up from their idleness with the hep new beats of modern jazz. This was procured for us by the late Jeff Death and was the last cartoon on a battered VHS tape of old public domain animation he had fished out of the dollar dump bin at his local Blockbuster Video. Howls of laughter from the audience.

            But probably the best example of a booze fueled applause generating piece was the celebrated winner of the 2^nd Annual Madison-Felix Awards, Brutes and Savages. This was a little number put out by Gorgon Video, the same people who brought us The Faces of Death series. And like those fine films Brutes and Savages is a hodgepodge of scenes of brutality (some fake, some not) compiled together under the schizophrenic auspices of being a documentary. We showed two different clips over the years, both of which received standing ovations but for different reasons.

       The first was a scene supposedly showing a manly rite of passage of some Indian tribe in the Amazon rain forest. The first thing that strikes the viewer is how the film stock keeps switching. First we see the boys looking around nervously, venturing into a muddy river. Then it jumps to some sepia toned stock footage of alligators running into a river (no doubt lifted directly from Mutual of Omaha’s Wild Kingdom). 

     We see the boys pointing and yelling. Then we see an obvious alligator puppet moving down the river unaware apparently, of the camera directly behind him. There’s a close up of a boy screaming. Then the film stock jumps to a person, who is noticeably not the same boy, being mauled by a rubber alligator head in a crystal clear pool. You can see the alligator’s teeth bend on the man’s arm as he struggles. There’s a shot of a rubber hand floating in the river, then back to the pool where the rubber alligator chomps on a fake human head. And it ends with the smug narrator informing us that 70% of the tribe’s youth did not survive the rite of passage. Which in my book means that they would’ve been long extinct. Everyone loved it for its obvious falseness.

            But the one which caused the most cheers was the (not-faked) scene of llama fucking. Apparently a group of villagers in the Andes Mountains have a yearly fertility ritual where they take turns simulating sodomizing a llama. It is shown… well not in pornographic detail, but enough so that there is no mistake what is happening. This is how the film ends with a view of some villager’s buttocks rhythmically thrusting back and forth into the camera lens. All the while the narrator describes the act as a perfect symbiotic relationship of man and nature, and how the men were showing respect to the earth goddess.

            And as the ass cheeks fade away, the narrator says, “This may seem odd to us, but what if these men came to our culture with our wars, and our crime, and our pollution? Who would then be considered the brute? And who the savage?”

            This rebuke of our culture is rather ironic, as not twenty minutes before, when showing some Incan pottery depicting homosexual acts, the narrator condemns the Incan civilization as a barbarous, brutal culture, which died out because they had degenerated to such foul practices.

            So according to Brutes and Savages bestiality is a noble tradition, but homosexuality… that’s just pure evil. Needless to say the llama immediately became the show’s mascot.
          Stay tuned for more Madison-Felix material. Free Beer!