Now
here is a truly unique film, brought to us by our French cousins and their
unique sensibilities. This is a film about Donatien Alphonse François, the Marquis de Sade done in an unusual style of puppetry,
live actors wearing animatronic masks, and some limited clay animation.
The
film was the brainchild of Roland Torpor who created the imagery and story
for the 1973 cult classic La Planète
Sauvage, or in English Fantastic
Planet. For those who remember it, the film was a wild ride of bizarre visual
and fascinating spiritual concepts, which took place on a distant planet where
Humans were bred as domesticated pets for a giant blue race of aliens. I will
do a full article on this at a later date.
Marquis
is a different take on life as if partially based on the philosophical writing
of de Sade. In pre-revolutionary France, the Marquis de Sade sits in the
Bastille working on his writing and having conversations with his penis named
Colin. When Colin is not whining about his need for stimulation and espousing
his impulsive philosophies, he is "telling stories" that make up the
Marquis' work. The symbolism is pretty thick here, but in tune with De Sade’s
writings, which were never subtle.
A close up of Colin |
de Sade was imprisoned for shitting
on a cross. Additionally he is accused of raping and impregnating the bovine
Justine. The latter is a plot by a priest to try to keep secret the fact that
Justine's rapist was actually the King of France. These lead to some truly
weird sex scenes, including where the Marquis fucks a hole in a talking wall
with his penis; or where he has anal sex with a guard using a lobster; or of
the guard masturbating milk from the cow heroine’s udders.
Meanwhile, the revolutionaries
prepare to stage a coup and depose the king, under the lead of Juliette, an
equine noble. Several of the inmates are also political prisoners (including a
police chief imprisoned for selling bad pork) leading to several failed escape
attempts which land the inmates in the Bastille dungeon. They are eventually
freed, however, by the revolutionaries.
Colin eventually falls in love with
Juliette and runs away with her to continue the revolution, leaving the Marquis
to continue his writing and to muse about his life in peace.
Naturally this is not meant to be
taken in anyway as recreating of the Marquis de Sade’s life, but represents his
mental state and the state of France during his time in the Bastille. It is a
sympathetic look at de Sade. The film takes a Romantic position of a man of
intellect and letters warring with his sexual drive (and even has an end when
his penis takes off to find a life of its own).
In truth the Marquis de Sade had no
such conflict between mind and flesh. His work could not be regarded as
something pure and aside from his baser urges and were in fact fueled by his
urges to drive deeper into literary depravity. As is show in the fact that his
most savage work, The 120 Days of Sodom,
which was the basis for the film Salo (reviewed here)
was written in the Bastille.
This film is incredibly NSFW, but
should be experienced by anyone who want to watch something very different.
Enjoy and Caveat Emptor!
Full film is here.
For more weirdness try The Foot Doctor Letters: A Serial Killer Speaks Out by Rex Hurst. Available in paperback and on kindle.
For more weirdness try The Foot Doctor Letters: A Serial Killer Speaks Out by Rex Hurst. Available in paperback and on kindle.
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