A family of four is out enjoying a
pleasant summer camping trip outside of Los Angeles when KABOOM, a nuclear
device is detonated in the city. It isn’t specifically stated who dropped the
bomb, but as this was a Cold War era film the natural assumption to make is
that the Russians were the antagonists. Radio broadcasts suggest that this is
just the beginning of a full scale thermonuclear exchange and everything the
family has ever known will soon be ash and dust.
They are stuck in the middle of
nowhere and have to face several moral dilemmas. The unstated question being
explored in this film is what is “right”? To what extent should a person
compromise their ideas of morality and civility to survive? Are these just
fantasy concepts that modern America allows us to indulge or are they necessary
for a person to retain their soul and rise above the level of a beast?
All those are explored here as the
family must face scrounging for supplies, the dilemma of stealing from an old
man for what the need, the standard vicious thugs who decided the end of
civilization is party time, kidnapping and rape, and the exclusively of medical
care. When one of them needs a blood transfusion and the nearest medical
facility is 100 miles away, an incredibly long distance in the new wasteland,
how does one deal with it?
This is film was independently
produced, as can be evidenced here by the low budget and lack of many
characters. It varies from many of the atomic nightmare films of it era in that
it doesn’t feature a giant radioactive monster of some kind and deals with the
idea of survival of an urban American in a realistic way. The fear, their
anxieties come from the uncertain future and lack of survival skills, not that
they will eaten by a mammoth praying mantis.
This type of film was not exactly
unique. There was On the Beach in
1959, Last Woman on Earth in 1960, Five in 1951, and The World, the Flesh, and the Devil in 1959. All of these dealt
with similar themes and reasonably consistent premises. It was an easy scenario for indie filmmakers
to produce and shoot. Take some equipment and head out into the desert. No need
for permits or expensive scenery. It wasn’t until the 70’s with The Road Warrior that the genre began to
take on more horror and action orientated themes, requiring a lot more time and
effort.
What sets Panic in the Year Zero! apart is the level of acting skill
displayed in them. With most of the other films the acting is competent (the
exception here being On the Beach
which has amazing performances) this film stands out in the casting of Ray
Miland. His starring roles had begun to thin by this time due to his premature
baldness, so he took whatever lead positions he could find. His ability to
emote had not dimmed however and presents the moral dilemmas in this script
with style and panache.
The entire film is below. Enjoy and
Caveat Emptor.
Full Film
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