Shock
Corridor is a low budget film of a journalist going undercover in a mental institution
to uncover the facts surrounding a mysterious murder. He achieves this by
getting himself committed by his girlfriend, who poses as his sister, claiming
that he has been trying to sexual assault her.
If
you think this is a little extreme for a 1960s picture, you are correct. But controversial
is a stable diet for director Samuel Fuller’s films. The director started off
writing pulp novels before moving onto films. The term “narrative tabloid” was
used by critic Grant Tracey to describe the director. He never shied away from
topics of prostitution, child molestation, mental illness, incest, racism, police
corruption, etc. All somewhat taboo topics at the time. And while his films
were not highly praised at their initial release, time has given them a second
life. The French New Wave claimed his work as a major influence.
Though there certainly are noir elements |
There
has been a discussion for years on whether Shock
Corridor should be classified as film noir or exploitation, or both. While
it certainly does have that striped down film noir feel, the sexual element-
very shocking for the time- is often played here for shock value. Particular a
scene where the protagonist accidently stumbles into the ward dedicated to the
treatment of nymphomaniacs and is nearly torn apart by a dozen in a violent sexual
frenzy. Not only was it ridiculous, but also totally unnecessary to the plot. It is touches like this, and the reason he’s committed,
which tip the balance towards to exploitation.
Apparently
the director wrote the original draft of the screenplay in the 1940s, while
working for Fritz Lang, under the inferior title Straitjacket. The filming itself was incredibly cheap. It was shot
over ten days. There was only one set and no exterior locations. Which helps to
give the film a closed in claustrophobic feel. In fact the sound stage was so
small, Fuller hired midgets to walk around in the distant section of the
corridor to give the illusions of depth.
As
the film progresses, the protagonist comes into contact with the three
witnesses to the murder, each suffering from bizarre delusions. The first is
Stuart. Who was captured in the Korean War and was brainwashed into becoming a
Communist. Stuart was ordered to indoctrinate a fellow prisoner, but instead
the prisoner's unwavering patriotism reformed him. Stuart's captors pronounced
him insane and he was returned to the US in a prisoner exchange, after which he
received a dishonorable discharge and was publicly reviled as a traitor. The character
imagines himself to be Confederate States of America General J.E.B. Stuart.
The
second is Trent was one of the first black students to integrate a segregated
Southern university. The constant barrage of bigotry drove him over the edge. He
imagines himself a member of the Ku Klux Klan, and stirs up the patients with
white nationalist dogma and attacks the other black inmates. Third is Boden, an
atomic scientist scarred by the knowledge of the devastating power of
intercontinental ballistic missiles. He has regressed to the mentality of a
six-year-old child.
Now while the protagonist is trying
to get information out of each one, they eventually lapse into sanity and begin
talking about the murder. While this is happening, the film shot in black and
white, is spliced with hallucinogenic color footage. This is the part that
actually makes the film, which causes it to stand one. One little artistic touch.
The hallucination sequences include footage shot on location in Japan for House of Bamboo (1955), and footage shot
by Fuller in Mato Grosso, Brazil for the unfinished film Tigrero.
After a hospital riot, the
protagonist is straitjacketed and subjected to shock treatment. He begins
imagining that his girlfriend really is his sister, and experiences many other
symptoms of mental breakdown. He learns the identity of the killer and
violently extracts a confession from him in front of witnesses. He then sits
down and writes his story. Immediately afterwards he lapses into a catatonic
state from which it is believed he will not recover.
Shock Corridor is
a bizarre film that rises high above its low budget. In fact, the lack of
budget is what caused the director to try innovative new techniques to make the
film stand out. Which he succeeds at brilliantly.
The entire film is below. Enjoy and
Caveat Emptor.
For more fun try Across the Wounded Galaxy by Rex Hurst