With the
recent controversy in the Church of Latter Day Saints, with several thousand
people leaving it due to the current demand that parents of homosexual children
denounce them and vice versa, I decided to look into the cosmological roots of
the Mormon church and … well what I saw sure looks like a UFO cult. Now most religious origin stories, at its core, comes across like a badly scripted D&D
adventure. The Mormon religion however comes across like a badly written
science fiction story. There are claims that the Book of Mormon
is the world’s first science fiction story (Unfortunately that is untrue, the
first universally accepted sci-fi novel being Somnium by Johannes Kepler written in 1608). Still I will postulate
that Mormonism is the world’s first UFO cult. Allow me to offer some examples to back up my statement.
Let’s get to
the meat of the matter. The God of Mormonism did not create everything ex nilio as did the Hebrew Deity, but
instead constructed the world from existing celestial debris. In fact the
Mormon God was born a regular guy like you, me, Ghandi, and Hitler. He
eventually rose past his mortality through a processes called “eternal
progression” and became a divine being. And later on his Jewish son Jesus, or
Heyzeus, or Yeshua ben Yoseph (take your pick) followed suit here on Earth.
This concept
of “eternal progression” or “exaltation” is a key element of the Mormon
proclamation. That if a person strives for purity and righteousness (as defined
by the boys in Salt Lake City) and to be “one with Heyzeus as Heyzeus is one
with God”, then a mortal man might become joint-heirs with Heyzeus and become a
God of a world. Now this part does sound a lot more like old school D&D, but it gets more sci-fi real quick. All of
this happens after you die, naturally.
The
requirements for “exaltation” have changed over time. Originally you had to be
white- as the Mormons’s proscribed that dark skin was the Mark of Caine and
a sign of damnation. Thus it was forbidden to marry a dark skinned person, and they could
never rise up to be even a low level cleric in the Church’s hierarchy. This
requirement was changed in 1978 after Jimmy Carter threatened to remove the
Church’s tax exempt status.
Nowadays a
Mormon adherent has to undergo a series of sacraments into order to become
“perfect”. One is that a man has to have a “celestial marriage” to an opposite
sex partner (the opposite part is explicitly stated) via an ordinance of
sealing ritual, which goes not only unto death, but well beyond. So be careful,
you will be stuck with whomever you marry until the heat death of the universe!
The celestial marriage can occur in person, via a proxy strand-in, or even
after the person has died. Under Brigham Young multiple celestial marriages for
men were required to continue on the road to “eternal progression”. This
naturally coincided with the Mormon’s former bigamous practices, the great legal
sticking point of their religion. This, along with the murder of Joseph Smith in
1846, caused the Mormons to exile themselves to Utah in 1848, which at the time
was outside the borders of the United States. The necessity for a pluralistic
marriage was later rescinded in 1890, but the practice continued for some time
after and still is in some isolated communities.
That is how
a regular Joe becomes a God. A bit nebulous I know, but the reality is that it
is a simple step-by-step process of sacraments, similar to the Catholic Church’s
first communion and confirmation. A route by the numbers procedure.
But what
about the Big Man himself? Mormon doctrine teaches that the Earth is not a
unique place, but simply one of many planets where human beings live (like Star Wars), all of whom meet in God’s
joint after they die. Each of these Earths were crafted by Jehovah and his boy Heyzeus,
who shows up and dies on every one. Jehovah himself was born a dude on an unnamed planet
where people like us live and eventually rose to become the God that we all
know and blame our problems on. Where this unnamed planet is has never been
stated, but the suggestion is that it is in a parallel universe, as none of the
worlds were created until Jehovah showed up. He establishes himself in a place
called Kolob, which is either a star or a planet (the word “star” is used interchangeably
in The Book of Mormon). One day on
Kolob is the equivalent to 1000 Earth years. Where this star or planet is has been up for speculation ever since
the idea was written down. Theory’s range from it being the planet Mercury, to being
at the center of the Milky Way, to its being a star outside of our galaxy
entirely... Or of course it could just be made up.
Moving onto
the birth of Heyzeus, to the Mormon’s: God literally came to Earth, fucked Mary-
despite her claims to not be worthy (is this the beginning of rape culture?)-
and inseminated her with himself, which overrode her DNA. Thus he created a
clone of himself (I assume Jehovah was Jewish in his past incarnation). He does
this in order to die and ascend, showing people the true path to immortality,
but unfortunately this wasn’t picked up on until over 1800 years after Heyzeus’s
execution by the state.
All of this is very science-fictiony. There
are several other cosmological and doctrinal elements which mirror Christianity
(regarding Satan and the fall of the Angels, and so on), but they are best
summed up in the cartoon below. Enjoy and caveat emptor.
Where
to begin here? The Turkish Star Wars is notorious in some circles for its
unauthorized use of Star Wars
footage (often it is rear projected while the actors perform in front) and swiping bits from the
sound tracks to Raiders of the Lost Ark,
Flash Gordon, Ben-Hur, Planet of the Apes, The Black Hole among several others.
The
actual name of the film is Dünyayı Kurtaran Adam translated as “The Man Who Saved the World.” It
was made in 1982 on a, presumably, low budget. But due to the very sketchy Turkish
laws surrounding copyrights made up for it by stealing all of its space combat
scenes from Star Wars and Battlestar Galactica.
The action sequences
are the most laughable scenes. Often our heroes fight large pink furry
creatures, obviously inspired from Chewbacca, but they come across more like
Gossamer from Looney Tunes. They effortless rip off arms and decapitate them all
without shedding blood. Also there are a number of mummy creatures, who look as
if they are wrapped in toilet paper, and can kill a man with one flick of the
wet end. These also cause our heroes no significant problem.
My particular favorite
part however has to be the training montage. To prepare for his final battle
our hero rips off Rocky and begins exercising to build himself
up to superhuman proportions. He does
this by pounding the flats of his palms onto mounds of dirt, punching boulders,
and hopping around with rocks tied to his legs. This last exercise allows him the power to bounce
off trampolines when the camera angle is low.
No copyright infringement here.
The
plot, from what I can tell, follows Murat and Ali, whose spaceships crash on a desert
planet following a battle, shown by using footage from Star Wars as well
as clips from the space shuttle launch. While hiking across the desert, with
absolutely no evidence they guess that the planet is inhabited solely by women.
Ali demonstrates the whistles he uses on women. However, he blows the wrong note
or something and they are attacked by skeletons on horseback, which they defeat
in hand-to-hand combat. The main villain soon shows up and captures the heroes,
bringing them to his gladiatorial arena. The villain tells them he is actually
from Earth and is a 1,000-year-old wizard. He tried to defeat Earth, but was
always repelled by a shield of
concentrated human brain molecules (shown as the Death Star). The only way he can bypass this is
to use a human brain against it.
The
heroes escape by beating everyone up and hide in a cave full of refugees. Murat
develops a romantic connection with the only woman there, who looks after the
children. (The romance is shown through many long eye-contacts and smiles from
the girl, but nothing more. In fact, I don’t believe she has any lines). The
wizard’s creatures attack and turn several of the children into monsters, their
blood used to renew the evil wizard's immortality. The three then flee the cave
and find a local bar, an obvious Mos Eisley Cantina rip off. The two men
quickly get into a bar brawl, but the villain suddenly appears and captures
them again.
The
wizard separates the men and tries to convince them to join him. He sends his
queen to seduce Ali, while he orders Murat to be brought before him. He offers
Murat the chance to rule over the earth and stars if he joins him. He possesses
the power of Earth's ancestry in the form of a golden brain, and all he needs
to conquer Earth is a real human brain. After Murat refuses to give up his
brain, the wizard shows that he has captured the woman and child. Meanwhile,
monsters attack Ali when he is about to kiss the queen. They are both disabled
by guards and then unproductively tortured by the wizard. Finally, the wizard
pits Murat against a laugh inducing giant monster in the arena. Murat kills the
monster and flees, taking the woman and the child with him. Ali is left behind.
Murat finds
out about a sword made by the 13th clan, who melted a mountain thousands of
"space years" ago to forge the weapon. Murat later finds this sword in
a cave defended by two golden ninjas. He gains his light sabre equivalent- a golden sword shaped like a lightning bolt, which is obviously just made from wood and painted gold. The hero runs around awkwardly with it, touching his enemies and killing them instantly. Murat goes to free his friend from a dungeon.
However, Ali becomes envious of the sword, knocks out Murat and takes both the
sword and the golden brain. The wizard tricks Ali into giving him the items.
Now possessing them, the wizard has increased powers of some kind. He kills Ali
and traps Murat, the woman, and the child, who then escape again.
Murat
decides to melt down the golden sword and the golden human brain and forge them
into a pair of gauntlets and boots. Equipped with magical gloves and
super-jumping boots, he searches for the sorcerer to avenge his friend's death.
After fighting monsters and skeletons, he comes face-to-face with his nemesis
and karate chops him in half. He then leaves the planet for Earth in the Millennium
Falcon.
The
film, as you have read, is astoundingly insane. I first found it on sale (long
before Youtube) at a little video store in Buffalo that specialized in out of
the ordinary films, and bought it on a whim. Some friends and I sat down,
cracked open a few beers (every bad film is made better with beer) and watched.
There were no subtitles in my copy, so we made up a plot as we went along,
laughing our asses off the whole time. From what I saw it had bad editing, grainy film stock, odd
choices of music, laughably cheap props, and amazingly bad action sequences. We
had no idea what was happening, but loved every minute of it. Now that’s the
definition of so bad its good.
On August 27th, 1968 blood
and flesh fell in 1/3 of a square mile area between the Brazilian towns of
Cacpara and Sao Jose dos Compos. The downfall lasted between five to seven minutes.
Later analysis determined that the material was of human origin and Type O
variety. Odd things have been reported tumbling from the sky for centuries, but
this was the first times items of this nature had been spotted.
Typical in these atypical events is
that an inordinate amount of some type of animal- frogs, earthworms, fish-
descends, leading people to believe that the cause is a tornado or water spout
that hurled a school of the hapless creatures into the sky, only to crash some
miles distant. But in this instance no such weather condition had occurred
within 100 square miles of the area, leaving puzzled meteorologists and
officials to shelve the incident in their unsolved mystery files.
There was however, two other odd
occurrences reported five days prior to the event. On the night of August 22nd
several unidentified flying objects (as nebulous a term as that is) had been
spotted over a dense forest area over 10 miles south of Sao Jose dos Compos.
Watchers described it as a “war between at least 30 balls of red and blue
light.” Others described it as more of a physical romp than a battle, as if the
orbs were playing. The spectacle lasted nearly an hour with each color
“whirling and chasing each other in a turbulent [and certainly un-aerodynamic]
manner” until they all suddenly “blinked out”. Naturally no rational scientific
explanation was forthcoming and apparently the indigenous people believed it to
have some sort of religious meaning- though the specific nature of this belief
has not been recorded.
The second incident occurred the next
day on August 23rd. A bus on the regular run from Sao Paulo was
found abandoned on the side of the road. There was no sign of the driver or any
passengers. Found inside the bus was a large number of bags and other parcels
indicating a moderate amount of passengers, estimates ran to about 20 including
the driver. There were no blood stains, bullet holes, broken windows, or signs
that anyone was forcibly removed from the vehicle. However it is noted that the
keys to the bus’s ignition were missing. There has been no sign to indicate what
had happened to the bus’s occupants. Whether this incident is connected to the
other two is up for speculation. For more fun try books by Rex Hurst
As I discussed in my previous entry, Reading As an Addiction,
I’ve digested an inordinate amount of books and graphic novels over the years.
To better support my habit I have a rule in that I never buy a book when it
first comes out. Give it enough time and the price will always go down. Thus I
can get four to five older books for the price of that new release. If I’m
lucky, the price on that book has dropped a ridiculous amount, often to a
penny. So for those of you who must feed the literary monkey on your back, here
are ten great graphic novels being sold on Amazon for one cent.
Three Fingers by Rich Koslowski- This is a fun, behind the scenes, pseudo-documentary of the
cartoon scene, where toons live alongside humans as second-class citizens. Mimicking
a television expose’s hyperbolic format, Koslowski alternates confessional head
shots of interviewees with "archival" stills that narrate the history
of toons in film. It chronicles the rise of a Walt Disney character and his
greatest actor, Ricky Rat, and the terrible secret they have.
Suburban Nightmares: The Science
Experiment by Larry Hancock, Micheal Cherkas, & John Van Bruggen- A collection of nine stories from the independent comic of
the same name. The running theme here is one of the paranoia of post-war 1950s
America manifesting in anti-communist hysteria, the atomic bomb, aliens, all
wrapped in a suburban setting. The art here is distinct, sticking with Cherkas
standard black and white blocky style, which adds another level to the paranoia
of the series.
2024 by Ted Rall- An adaptation of Orwell's 1984 to fit modern times. Rall does
an amazing job here in staying true to the feel of dread surrounding Winston,
but operating in a strictly capitalist, rather than socialist, society. Where
Orwell’s Big Brother wanted a country where every person was completely focused
on the goals of the party, in Rall’s interpretation total distraction is the
party’s plan, where the citizens are so immersed in consumer crap that they
don’t care what the powers-that-be are up to.
Volcanic Revolver by Scott Morse- 1930s New York is a dangerous place to be. Crime lords battle
for control of the streets, and the web of corruption extends from the docks
through the media and up to the highest levels of government and religion.
Though just one player in the city's grand drama, Vincenzo is skilled in many
arts. He paints, runs a bakery, and runs a secret counterfeiting operation.
When a rival mob family sends a bomb into Vincenzo's shop, it starts a chain of
events that shakes up the underworld and leads to an elaborate plot for
vengeance.
Strangehaven- Arcadia by Gary Spencer
Millidge -Alex Hunter crashes his car to avoid an apparition in the winding
road. When he awakens he finds himself in Strangehaven, a gently off-kilter
village that he first doesn't want to leave - and then finds himself entirely
unable to escape. He soon encounters some of the village's bizarre inhabitants. This is a greatly underappreciated story by a master artist, and his work keeps getting better and better. While this story takes its time, I feel that it is worth the journey.
M by John J Muth & Adam Kempenaar- Based upon the Fritz Lang film of the same name, about the
hunt for a pedophile haunting the streets of Berlin in the 1930s, ending with a
very intense trial scene. While the action is the same as the movie, what
brings this graphic novel out are the photorealistic paintings,
making this an unforgettable story.
Crecy by Warren Ellis & Raulo
Caceres- This the story of the battle at Crecy in France where the smaller
army of England’s Edward the III faced the seemingly overwhelming forces of
Philip the IV of France, yet England prevailed, cutting down “the flower of
French Chivalry” in an afternoon and, reportedly, spawned the use of England’s
two finger salute. Told from the perspective of foot soldier, this is a fascinating
tale filled with all sorts of historical tidbits.
Rocketo- Journey to the Hidden Sea Vol 1
by Frank Espinosa & Marie Taylor-In a far flung destroyed earth, where the magnetic poles no
longer exist, the Mappers chart the new seas. After returning from a war a
broken man, Rocketo Garrison is swept away on a journey to the Hidden Sea, a
fabled land that may hold the key to an ancient mystery. This is truly a different
story, filled with tons of imagination and flair, and a unique illustrative
style.
Solstice by Steven T. Seagle - An off putting business mogul goes on a trip for the Fountain
of Youth in South America, after discovering that he has brain cancer. His son
Hugh goes with him, his other son having committed suicide years earlier due to
the father’s incessant bullying. As the book opens, Hugh is making a one-handed
attempt to keep his father from falling to his death on the summer solstice in
equatorial Chile. Hugh fails to save Russell, but only after relaying the backstory
in a tangle of crisscrossing flashbacks.
Clover Honey by Rich Tommaso- This is not the revised, redrawn twentieth anniversary version
of the book, but its original presentation- that I felt needed very alteration.
Abigail is an aspiring hitwoman out to prove her value to the family. She
braves the wilds of Newark, overpriced parking, traffic jams, and bad hair days
to track down Trevor, her former mentor, who is on the lam with a big briefcase
of mob dough.